THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

NAPA ENSEMBLE

7-16 MARCH

Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.

Simon Stephens' adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. 

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

NAPA ENSEMBLE

7-16 MARCH

Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.

Simon Stephens' adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. 

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

NAPA ENSEMBLE

7-16 MARCH

Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.

Simon Stephens' adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. 

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

NAPA ENSEMBLE

7-16 MARCH

Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.

Simon Stephens' adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. 

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

NAPA ENSEMBLE

7-16 MARCH

Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.

Simon Stephens' adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. 

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

NAPA ENSEMBLE

7-16 MARCH

Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.

Simon Stephens' adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. 

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

ROALD DAHL’S ‘THE WITCHES’

NAPA ENSEMBLE

11—17 APRIL

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception.

SWEENEY TODD

BROADWAY EXTENSION

31 JULY —3 AUGUST

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth-century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up ... and the carnage has only just begun!

SWEENEY TODD

BROADWAY EXTENSION

31 JULY —3 AUGUST

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth-century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up ... and the carnage has only just begun!

SWEENEY TODD

BROADWAY EXTENSION

31 JULY —3 AUGUST

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth-century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up ... and the carnage has only just begun!

SWEENEY TODD

BROADWAY EXTENSION

31 JULY —3 AUGUST

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth-century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up ... and the carnage has only just begun!

SWEENEY TODD

BROADWAY EXTENSION

31 JULY —3 AUGUST

An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth-century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up ... and the carnage has only just begun!